The Primals

Southern Lord is excited to bring forth the debut album by Los Angeles-based rock trio, The Primals, founded by current and former members of Darkest Hour, The Explosion, Dead To Fall, and more. The band’s first full-length, All Love Is True Love, will see release on September 7th.

The Primals is comprised of vocalist/guitarist John Henry (vocalist for Darkest Hour), bassist Chad Fjerstad (formerly of Dead To Fall), and drummer Andrew Black (formerly of The Explosion, and Title Tracks). The band’s fuzzy execution is equal slabs ripping guitar heaviness and infectious pop sensibility. Concocted by a seasoned group of thrashers with a historical backbone in the D.C. punk community. The disintegrated spirit of grunge rises from the ashes, revitalized in a new light.
All Love Is True Love, The Primals’ debut album, features ten infectious tracks produced by John Reis (Rocket From The Crypt, Drive Like Jehu, Hot Snakes) and completed with cover art by Laura K. Giron. Fans of Wand, Ty Segall, Nirvana, and The Pixies are especially recommended to tune in.

Band links:

Facebook
Bandcamp

Axis Of Despair

Axis of Despair features former and present members of such bands as Nasum, Coldworker, Infanticide, Volturyon, Livet som insats, Nervgift and Overtorture. To be exact: The band was formed by former Coldworker members Anders Jakobson (drums), Oskar Pålsson (bass) and Joel Fornbrant (vocals) in the end of 2013. About half a year later the line up was completed by Livet som insats member Kristofer Jankarls playing the guitar. The band continued to work on songs until the late spring of 2015 when the first 12 tracks were recorded to be released on two, sort of, conjoined 7″ EP’s. “Contempt For Man” is the swedish grind super-groups first full-length album. It is a pulverizing bull dozer of intense grind-core.

Vitamin X

VITAMIN X has unloaded their energetic brand of rock and thrash-soaked hardcore punk since the late 1990s. Having operated through diehard DIY efforts, the band has amassed an arsenal of albums, EPs, singles, splits, and more across a wide array of underground labels, including Havoc Records, Tankcrimes, Underestimated, AgiPunk, Refuse Records, and many others. Their most recent two LPs were recorded by Steve Albini (Nirvana, Iggy Pop, Neurosis), and their 2016-released ”About To Crack” video went viral and reached more than a million views.
Well-known for their energetic and explosive live shows which attract fans from across the metal, punk, and rock spectrum, VITAMIN X has toured around the world several times, from Japan to the United States, from South America to Southeast Asia, and beyond. The band has played on MTV and many large fests including Hellfest, Maryland Deathfest, and many others, and recently toured with Baroness and Harley Flannagan’s Cro-Mags.

Jesus Piece

Jesus Piece

JESUS PIECE has left craters in their path over recent years, quickly developing a reputation as one of the heaviest, most uncompromising acts both on record and on the stage. With the brutalizing grooves of Y2K-era metallic hardcore greats like Disembodied, Deadguy, and Buried Alive at the core, the band incorporates elements of noise, ominous tones, and haunting atmospheres into their dynamic songwriting. With eleven new tracks packed into a debilitating thirty-two-minute attack, Only Self was recorded in Chicago at Bricktop Recording Studio with Andy Nelson (Weekend Nachos, Like Rats, Lord Mantis) mastered by Brad Boatright at Audiosiege (Integrity, Nails, Obituary), and completed with artwork by Dom Pabon.

Scream

Scream

SCREAM was formed in 1981 by vocalist Peter Stahl, his brother Franz Stahl on guitar, Skeeter Thompson on bass, and Kent Stax on drums. The next few years would see the addition of second guitarist Robert Lee Davidson. Following three LPs through Dischord Records — Still Screaming (1983), This Side Up (1985), and Banging The Drum (1986) — SCREAM’s No More Censorship was released via reggae label RAS Records in August 1988. A seminal album of the 1980s DC punk sound, the album was the first to feature drummer Dave Grohl, who replaced Stax for the album, and stayed with the band until they disbanded in 1990. This was the first album the now world famous musician ever played on.

Since disbanding, several incarnations of SCREAM have reunited/resurfaced for random tours and recordings since. Members of the band went on to form countless other influential acts, including Nirvana, The Foo Fighters, Wool, Queens Of The Stone Age, Goatsnake, The Suspects, and others.

Southern Lord is proud to be chosen to reissue SCREAM’s everlasting No More Censorship album. The band found the original multi-track tapes and Southern Lord had them baked/prepped for a remix at Grohls’ 606 Studio. The new mix sounds vital and intense; the entire packaging, layout, and design is completely different from the original, with the inclusion of photos, lyrics, poetry, and other personal writings from the band during that era, collected in an extensive booklet.

Unsane

New York City’s UNSANE assisted in pioneering a more aggressive, less studied version of noise rock, one that blended the scum/art industrial sturm und drang of Foetus, the Swans, Einsturzende Neubauten, and Sonic Youth with a decidedly more straightforward hardcore idiom. While developing the blueprint for noise bands to follow, UNSANE cut a remarkable swath through underground music, inspiring a devoted, cult-like following around the globe. As a power trio, UNSANE relied upon a hammering, power-press rhythm section, a searing Telecaster howl, and distorted vocals that resembled a chainsaw cutting a steel beam.

Chris Spencer (vocals, guitar), Dave Curran (bass, vocals) and Vincent Signorelli (drums) are responsible for well over two decades of aural ruination, with no intention of letting up anytime soon. With a new full-length album in the bag, the band will be touring the globe starting summer 2017.

The early days of UNSANE began in the late ’80s. The original incarnation of the band — Chris Spencer, Pete Shore (bass), and Charles Ondras (drums) — crawled larvally out of the practice space in 1989 and began playing New York’s seediest haunts. It was these graveyard slots at clubs like CBGB’s where the band developed and honed their trademark sound and delivered the goods with due intensity and volume. UNSANE piqued the interest of numerous small indie labels and began issuing a series of singles and EPs before recording their self-titled debut with Matador Records. Using the photo of a decapitated man lying across train tracks, UNSANE’s album cover set the tone for the admixture of seething aggression, naked fear, and barely controlled noise chaos contained within. But the band’s devastating maelstrom contained more than enough tunefulness and rock propulsion to quite easily surpass its more affected Lower East Side peers.

During 1992, UNSANE’s daunting schedule was cut devastatingly short by the untimely drug overdose of drummer Charles Ondras. Former Swans and Foetus drummer Vinnie Signorelli climbed aboard the swiftly moving train in the fall of 1992 and the band began composing its next album. In the interim, Matador compiled and issued a collection of UNSANE’s early singles and compilation tracks, appropriately titled Singles: 89-92. It is perhaps the band’s defining moment. The following year found the band recording its first for Atlantic Records, Total Destruction, a menacing, dark collection of songs driven by Signorelli’s hypnotic drumming and Spencer’s man-pushed-to-the-edge vocals. More touring followed and Matador released the Peel Sessions disc almost concurrently with Total Destruction.

After being discharged from Atlantic in 1994, UNSANE found both a new bass player in Dave Curran and a home for their next album, Scattered, Smothered, And Covered, on the independent noise rock label, Amphetamine Reptile Records. While maintaining the band’s signature sound and volume, 1995’s Scattered… showed the band opening their rhythmic approach, with most songs inhabiting a more rock-oriented 4/4 pattern, granting the album a more spacious and controlled feel. Scattered…also contained the unlikely MTV hit video for “Scrape,” featuring a series of skateboard accidents intercut with footage of the band performing live. Created for $270, it was ironically named one of MTV’s Ten Funniest Videos.

UNSANE toured relentlessly and managed to secure an opening slot with metal behemoths Slayer on one of their North American headlining tours. Shortly after, the trio made another label switch to Relapse Records and began constructing the ironically titled Occupational Hazard. While on a press tour in Europe only a month prior to the disc’s release, Spencer was brutally attacked by street thugs and left for dead on the streets of Vienna, Austria. After emergency surgery, he returned to the touring arena. They then released the compilation Lambhouse, continued to tour and wrote the ballistic urban commentary Blood Run. After more touring, and some introspection, they proceeded to issue Visqueenon Mike Patton’s Ipecac label. March 2012 saw the band’s Wreck full-length out on Alternative Tentacles, and 2017 now sees them signed to Southern Lord for the release of Sterilize.

UNSANE:

Chris Spencer – guitar/vocals

Dave Curran – bass/bocals

Vinnie Signorelli – drums

http://www.unsanenyc.com

Zakk Sabbath

Zakk Sabbath

ZAKK SABBATH = Black Sabbath all-star cover band featuring guitarist/vocalist Zakk Wylde (Black Label Society, Ozzy Osbourne), bassist Blasko (Ozzy Osbourne, Rob Zombie), and drummer Joey Castillo (Danzig, Queens Of The Stone Age, Bl’ast!, Obliterations) will release the limited edition Live In Detroit LP via Southern Lord Recordings

The three tracks comprising Live In Detroit were captured at the band’s thundering performance at The Fillmore in Detroit, Michigan on October 28th, 2016. Southern Lord will release Live In Detroit as a onetime, vinyl-only pressing in multiple color variants.

Live In Detroit Track Listing:

Side A

1. War Pigs (13:25)

Side B

2. Supernaut (4:57)

3. Fairies Wear Boots (7:33)

YDI

YDI

In the early 1980s, Y.D.I. (pronounced: Why-die) put Philadelphia on the map with their ferocious brand of Hardcore. In 1983 they unleashed their debut 7” EP “A Place In The Sun” a blistering nine-track blast of american-hardcore fury. Circa-1985 the band changed musical directions and created filthy, metallic, damaged punk. The “Black Dust” (a concoction of PCP, heroin and formaldehyde) 12”- LP was YDIs’ final recording and a criminally underrated slab of disgusting mayhem. This double vinyl document contains every known recording of the band. Also inside is a 10”x10” full color photo book with tons of never before seen images from the era.

Demo 1983

1. Out For Blood

2. Not Shit

3. Rizzo’s Coming Back

4. Another Day

5. Zombie Youth

6. Mad At The World

7. Friends

8. Categorized

9. Why Die ?

10. 1983

11. True Believer

12. Snarling Hate

13. I Killed My Family

14. Get Up And Fight

15. 8th Man

“A Place In The Sun” 7”EP 1983

16. Not Shit

17. 1983

18. Friends

19. Mad At The World

20. Out For Blood

21. Categorized

22. Another Day

23. Get Up And Fight / Zombie Youth

24. Why Die ?

From The V.A. “Get Off My Back” LP 1983

25. Enemy For Life

26. I Killed My Family

“Black Dust” LP 1985

27. Not Without A Fight

28. Get Out

29. Soylent Green

30. Violently Green

31. Bloodletting

32. Haunted House

33. Dying Day

34. Murder Is So Sweet

35. In Ignorance

36. My Hell

37. Black Dust

38. “Evil “ (unreleased Black Dust session)

Xibalba

Xibalba

COMING 5/29: XIBALBA AÑOS EN INFIERNO  CD/LP/DIGITAL

The eight damaging new movements on XIBALBA’s “Años En Infierno” culminate into the band’s most brutalizing material to date, with more death metal energy than ever fueling the album, with their trademarks breakdown savagery fully on display in every track.

The LP was produced by Arthur Rizk (Cro-Mags Power Trip, Inquisition) and completed with artwork by longtime collaborator Dan Seagrave (Dismember, Entombed, Suffocation).

 

Wolves in the Throne Room

Wolves in the Throne Room

Since 2002, over the course of 4 studio albums and hundreds of live performances Wolves in the Throne Room have refracted the transcendent and mythic aspects of Black Metal through their own idiosyncratic Cascadian prism. The resulting essence is music that is intimately linked to the wild lands of the Pacific Northwest.

Their songs explore the hidden world of magic that one accesses through dreams, visions and music. As the mind altering pulse of the drums merges with seemingly infinite layers of guitar, an ocean-deep psychedelic soundscape coalesces. Time slows down, a portal opens and the blazing metal riffs collapse and shift into a dirge that invokes a misty other-world. In their songs, rain-drenched specters loom at the edge of the wood. Ancient cedar beings stir beneath their wet moss robes. One glimpses a bronze-domed temple rising among the firs.

In fall of 2013, their work reached a new level of refinement with the release of Celestial Lineage. In contrast to the bleakly hypnotic architecture of 2008’s Black Cascade, or the more orthodox forms of Two Hunters (2007) and Diadem of 12 Stars (2006), Celestial Lineage moved into a more expansive and visionary territory. The band’s trademark long-form approach to arrangement remained intact, but the album revealed a thread of star-lit pulse emanating from a bank of crumbling analog synthesizers woven with the intertwining guitar figures

2014 will see the release of Celestite, an instrumental, experimental companion record to Celestial Lineage. Celestite sees the band take a deeper excursion into the crystalline synthesizer-driven domains that have long intrigued them. With the aid of producer Randall Dunn, the band unearthed a hidden soundscape that is only loosely tethered to their familiar sound, yet is still unmistakably the work of Wolves in the Throne Room.